Nailsea Festival of Music

        General Rules of Festival
 

1.             The Festival is open to amateur performers only.

2.             Competitors may not perform a piece more than once in the Festival, neither can set pieces be performed in any other class than that for which they are specified.

3.             Competitors may only perform once in any class, however they may enter a duet or ensemble class more than once with a different partner.

4.             Competitors should announce the title of the piece, and the composer before they perform it.

5.             Time limits shown must be strictly observed and that part of the performance exceeding the time limit may be ignored at the decision of the adjudicator.  Failure to abide by the stated time limit could risk disqualification.

6.             OWN CHOICE CLASSES

(i)       A copy must be provided on the day for the use of the adjudicator clearly marked with the class number, competitor’s name and number.  This may be a photocopy, provided only that the competitor also has in his/her possession a purchased copy, and the photocopy will then be destroyed at the end of the Festival by a committee member.

(ii)   The adjudicator will take into account the choice of piece  performed.

7.             The Festival must observe copyright law, and therefore cannot permit any photography, audio or video recordings.  Any person who disregards this rule could cause a class to be declared void.  However performers must be prepared to appear before the cameras of the media and/or agents of the Festival.

8.             The age limit will be reckoned as on 1 September 2008.  The Festival may request sight of a birth certificate in order to verify this, should any challenge be made.

9.             The grading of piano and instrumental classes entered should reflect the general ability of the competitor.  Entry into a grade above that already achieved in examination is encouraged, but it is not considered within the spirit of the Festival to enter a class at a lower grade than that already achieved.

10.          The adjudicator’s decision will be final in all classes.

11.          No competitor, teacher or other interested party may discuss any Festival matters with the adjudicator before, during or after classes, unless specifically invited to do so by the adjudicator.

12.          Entry fees are not refundable, and any cheque returned by the Festival’s Bankers will incur an administration fee.  The fee for each class is shown against that class.

13.        The closing date for entries is 30 September 2008.

14.          Entries must be on the official form, or a photocopy thereof, with the correct fees.

15.          Tickets and timetables will be sent out to competitors and teachers no later than 15 November 2008.  If none are received by that date, please contact the relevant section secretary.

16.          Competitors should ensure that they arrive at least 30 minutes prior to the start of their class in case of early running where previous classes have finished sooner than anticipated.

17.          Classes will run in the order decided by the committee, who also reserve the right to limit, cancel, split or combine any class(es).  Competitors should perform in the order given in the programme, details of which will be issued at least one week prior to the Festival.

18.          The committee reserves the right to refuse entry to the Festival without giving a reason.

19.          The decision of the Committee in all matters is final including interpretation of these Rules.

PLEASE NOTE THAT CAR PARKING IS NOT GENERALLY AVAILABLE AT THE METHODIST CENTRE EXCEPT FOR DISABLED COMPETITORS AND FESTIVAL OFFICIALS.

        Descriptors used for Marking

           90+       An exceptional performance, both technically and artistically
           87-89     An excellent performance technically and artistically
           84-86      A convincing performance technically and artistically
           81-83      A capable performance showing some artistic appreciation and/or technical ability
           78-80     A performance showing development of technique and/or communication
           75-77   A performance limited in its communication

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